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Wednesday, 21 August 2013

Michele Carragher * Supreme Embroiderer of Game of Thrones

It is Linda's granddaughter, Jenn, who is about to take up a design internship with Michael Kors in New York (Good Luck, Jen) who is to be thanked for drawing our attention to the fabulous embroidery work of Michele Carragher that can be seen in Game of Thrones. Michele is London-based hand embroiderer and illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion simultaneously with a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC's Our Mutual Friend, ITV's David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator. The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO's 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO's 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look. She finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment. The time lapse video clip below shows you one of her works in creation. To find out more about Michele, click here.

3 comments:

  1. Thank you for sharing this link. Absolutely fascinating work.

    ReplyDelete
  2. I love to cross-stitch. Does that count?

    ReplyDelete